14 - 16
Pam Bartlett - Fur,
Feathers, Fin and Fleece - FULL
This workshop will focus on not only how to make your animals come
alive, but how to see the power and to capture the nature of the beast. How its muscles move, how the light hits its coat,
the shine in the eyes and the beauty of the beast. Pam believes that we are all connected and creative and that if we can
let go of our "perceived" creative abilities, or lack of them, then we can really soar.
For this workshop, students will be given specific homework to do before class, everyone
is welcome to use their own design, a commercial design or Pam can create one for you. There will be discussion on how to
look at different textures and dyed wools and other fibers to see what creature is hiding in them. Pam finds that by using
various fibers, textured and dyed wools in multiple cuts of wool, really brings your design to life, finding the lights and
shadows that will help to emphasize muscle, texture and movement whether it is a bird in flight or a portrait of your favorite
A self-taught artist, Pam continues to challenge
herself by working with other teachers and being inspired by her students. She encourages her students to enhance their skills
by thinking out of their comfort zone in whatever they are drawn to hook, by not just looking at an image and copying it,
but by feeling the life and power of the image they want to create.
Pam is a certified Pearl McGown rug hooking teacher, and has completed the teacher training program with the
Rug Hooking Guild of Nova Scotia. She is a juried member of the League of New Hampshire Craftsmen and has been awarded two
Traditional Arts Apprenticeship grants from the New Hampshire State Council on Arts to teach aspiring apprentices. Pam teaches
at schools and workshops in the U.S. and Canada.
Blakney-Carlson - Compositions in Felt-making
Felt is a wonderfully adaptable medium to work in. With a foundation
of felting skills and knowledge of materials there are no limits! I was inspired by the subtle shading and beautiful compositions
of my mother's hooked rugs as a child. I draw upon those memories in my own felt-work today.
This workshop is for felt makers from beginner to advanced, interested in exploring
techniques for creating art in the medium of felt. Not photographic interpretations of subject matter, but compositions born
of imagination, and expressed through the tactile process of felt-making - yielding works rich in texture and color. The
fun in this workshop is exploration, and leaving yourself open to endless possibilities. There is always a joyful element
of surprise in felt-making!
I am intrigued with utilizing
variations of methods and materials to affect the shape and surface of my felt-work. I love the subtleties in color and texture
that grow out of such manipulating and melding during the felting process. I find that I work intuitively, but I am mindful
of the considering the elements of a successful composition. There will be an emphasis on surface design and techniques to
create texture in this workshop.
Participants in this
workshop will begin by felting samples using various materials and techniques, and then further develop what they have learned
to create an art felt composition. The materials fee is $75 for the three day session which will include a generous amount
of assorted wool fibers, fabrics and and exotic fibers (various forms silk fibers, linen, hemp, angora locks, wool locks,
banana fiber, nepps, etc) for each student to use in class and/or take home unused portions. I also provide beads, palliettes,
embroidery threads and needles: all equipment and supplies. As studios are open late, students have an opportunity to make
There will be additional materials
available for purchase- hand dyed wool and fabrics, embellishments.
explore various methods of affecting the surface through fiber manipulation and choice of materials. Day one will be spent
sampling various techniques. Day two will focus on felting the composition. Day three will be spent developing the final
composition through adding hand stitching, embroidery and embellishing elements like beading, palliettes or fabric.
This workshop combines my interest in felt-making and fine art. A former
career in the museum world informs my work as a fiber artist. For the past five years my felt-work has evolved to a focus
on visual art.
Robin works with felt as her primary
medium. She studied fine arts at California College of the Arts and Crafts, Munson Williams Proctor Institute School of Art,
and with numerous master-felt-makers. Her work has been represented in exhibitions and galleries throughout New York and
"My work is influenced by the shifting
character of life and seemingly mundane patterns that surround us. I am fascinated by the nature of surfaces as they transform
When I am felting, I find my sense of balance.
I manipulate multiple layers of wool, silk and textile fragments with my hands, soap and water to create the foundation of
my compositions. It's a very tactile, meditative process."
owns Luckystone Feltworks Studio in the Shirt Factory in Glens Falls, New York. She has taught felt-making throughout the
US and Australia. She is an active member of the Northeast Feltmakers Guild and Surface Design Association. Her website
Conner - Bring Your Travel Photo to Life
Whether it is a cozy beach cottage, a beautiful garden, a castle
in Europe, a frosty margarita under a palm tree, or a beautiful painting from a museum visit---the images from our travel
experiences will always resonate. Why not choose one of your favorites and create a unique rug? We can work in any size, any
cut, any style--adding texture and dimension if desired-- using our limitless medium of rug hooking.
Janet will help you, whatever your goals. If you choose a portrait, scenic landscape,
fine art or architectural photo from one of your trips--anything!!! -- She will be sure to bring appropriate books and visuals,
and coach you to achieve the look you want. Janet's request is that you will contact her as soon as you register for her class,
so that she can provide individualized preparation in terms of drawing a pattern for you, and dyeing the major colors you
may need. Of course you are welcome to design your own, and bring wool from your own stash. You will want your favorite hook,
frame and cutter or good scissors, but the most important requirement is to be open to the challenge of rug hooking experimentation,
and willing to share your best travel stories and experiences!!
is an avid rug hooker who loves ethnic and historical themes in her artwork. Most of her designs are inspired by classic
American Folk Art, but recently she has been exploring various themes in International art history. Her classes are always
student focused, and richly illustrated with visual sources, posters, and prints. In a lighthearted 'party' atmosphere, students
achieve incredible visual effects in their hooking while enriching their knowledge of art history. Janet's greatest joy comes
in teaching! Her website is: www.jconnerhookedrugs.com
Gail Dufresne - Fearless Dyeing - ONLY
Take the fear out of dyeing! This, hands on class will begin
with the basics, sharing surefire steps that, if followed, will result in perfect dyeing. All manner of dye techniques will
be discussed and demonstrated, including dyeing wool and silk with and without chemicals. We will cover techniques such as
bleeding and marbleizing, dyeing swatches, dip dyes, over dyes, casserole dyes, hand painted dyes as well as the advantages
and disadvantages of crock pot dyeing, presto cooker dyeing, pan dyeing. Basic color theory will be discussed and the student
will learn how to dye by eye, from photos or fabric, using just the primary colors and solution bottles. We will discuss
ways the dyed wool can be applied to our work, and hook if time allows. What we actually cover will be somewhat determined
by the desires of the individual students in the class.
has been making rugs for over 30 years. Her work has been featured in countless fiber art shows and contests. She wrote the
book Geometric Hooked Rugs, published by Rug Hooking Magazine, in 2010. She teaches at camps and private workshops around
the world, and is the President of ATHA (Association of Traditional Hooking Artists). She rarely hooks anything "flat"
anymore but prefers three dimensional works, using all sorts of materials and techniques to achieve her desired effect. Her
current passion is Sari silk, a fiber that is naturally suited to pair up with wool. She believes that rug hooking should
be fun, creative, and inspirational
Her web site is:
Louise Kulp - Contemporary Themes in Punch Needle Rug Hooking: Collage Effects - CANCELLED
Skill level: All levels
Join Louise as she leads students in this inspiring workshop. Each participant will create
a small wall hanging (or table mat or pillow top...) while learning how a "collage"* of alternative materials and
innovative techniques can add a contemporary aesthetic to the storied textile tradition of punch needle rug hooking. Students
will also be encouraged to think about the layering and assemblage characteristics of collage as they design their pieces.
(We'll do some paper collage exercises first to loosen up our design minds!)
This workshop welcomes all skills levels: virgin punchers will learn about the materials, tools,
and techniques that make punch needle so distinctive a practice, while veterans will have the opportunity to realize undiscovered
possibilities. Plenty of examples will be available to spark everyone's creativity, and Louise is always ready with plenty
of color and design guidance.
In College Effects, Louise's
teaching will emphasize adding depth, and texture to the hooked surface through innovations such as sculpting and using specialty
fibers. Her recent experiments with adapting the visual vocabulary of traditional rug hooking-scrolls and fine shading, for
example-to punch needle rug hooking (always with a contemporary twist!) also will be incorporated.
Come join Louise and create a colorful collage of materials, techniques, and innovation
that will increase your punching repertoire exponentially!
(noun). A combination or collection of various things.
holds a master's degree in Art Education with a studio concentration in Fibers from the University of the Arts in Philadelphia.
A teaching artist since 2006, she is passionate about passing the art of rug hooking on to students of all ages. Louise
has been on the faculty of Fletcher Farm School for the Arts and Crafts in Ludlow, VT, since 2010. She also teaches at the
Pennsylvania Guild Center of American Craft and regularly volunteers her time in non-profit organizations by introducing the
joy of rug hooking to young artists, from second graders in the South Bronx to 4-H youth in Lancaster County, PA. Louise's
work has been exhibited at the Shelburne Museum and published in the series of books, Hooked Rugs Today, by Amy Oxford. In
2011 she became the first individual to achieve Advanced Certification in punch needle rug hooking from The Oxford Company.
Louise is the proprietor of Eden Village Rugs, a small business that produces a line of skill-building kits to encourage
punch needle rug hookers' talents to flourish! Website: www.edenvillagerugs.com
Anne-Marie Littenberg - Styling That Rug To Make It Your Own - NOW 2 OPENINGS!
What is your favorite style of rug hooking? Do you have a personal
style, or do you explore different possibilities with each new rug? If you hook patterns, do you try to emulate the style
of the designer, or do you try to make it your own? Since we're talking about it, just what is style in rug hooking? Do you
want to develop your own personal, identifiable style?
are going to cover so much ground when we gather in 2014, and I look forward to your being part of that journey. We will look
at different styles of hooking (primitive, fine, mixed media, etc.) We will also look at different styles of art (for example,
abstraction, photorealism, and impressionism, to name a few.) What style best suits the idiom you choose for the design you
wish to work on (landscape, portraiture, still life, etc.)? And of course, we will explore all of this within the context
of rug hooking.
Whether you are working on a landscape,
cityscape, portrait, or abstract, this class will provide a wealth of new information to help with your composition and execution.
Color, design, and tips and tricks for achieving perspective and lighting effects will all be part of the curriculum. What
is too much design? What is too little? How is style related to your subject? We will be sure to spend time on the concept
of editing our work.
Traditional and punch needle rug
hookers are all welcome. As long as you know how to pull or push your loops, feel free to join us. Bring a blank piece of
backing and start from scratch. Or, bring a pattern and let's get to work! You can even bring work that is already underway;
the choice is yours!
Anne-Marie says, "I often
hear from rug hookers that they feel they aren't 'good enough' or 'experienced enough' to take one of my classes. I don't
know how that concept got started, but some of the best work to ever come out of my classes has been from people who are either
fairly new to rug hooking, or brand new to creating their own designs (rather than using someone else's patterns). I do not
teach the basics of rug hooking; I do assume that you will know how to prepare your backing and work your tools and strips.
If you can do that, you will do great in my class!"
is a frequent contributor to Rug Hooking Magazine, the author of Hooked Rug Landscapes and Hooked Rug Portraits. Anne-Marie
is frequently named "viewer's choice" winner at the Green Mountain Rug Hooking Guild's "Hooked in the Mountains"
exhibits. She is also a recipient of the prestigious Sauder Village Award. She has taught throughout the United States,
made videos for HGTV, and participated in a number of exhibits including "The Art of Playing Cards" and "Stripes."
During 2011--2012, her work was included in an exhibit of contemporary hooked rugs at the Farnsworth Museum in Portland,
Maine. If you are trying to decide whether to take this class and wish to ask Anne-Marie questions to help you make up your
mind, please email her at: firstname.lastname@example.org
Roslyn Logsdon - People and Places
In this workshop, students may work with many types of images that
deal with people and/or places. One method to find ideas is to look through your family album filled with treasures. If
that doesn't work, go out with your camera and take pictures of things that interest you. Go to a museum and see which paintings
catch your eye. Not that you are going to copy any of them but they may get your creative juices flowing. As always, we
try to capture the essence of the image with loops of color. Students may bring their own pattern or I will draw one from
the student's photo.
Roslyn has for many years taught
classes and master workshops in rug hooking. She has exhibited throughout the United States and Canada, and her work has
been shown in Japan and Turkey. Her fiber wall hangings have appeared in many publications about rug hooking and fiber art.
In 1998, she wrote a book about her life and art titled People and Places: Roslyn Logsdon's Imagery in Fiber. Her website
Martin - One Rug, Two Rug
Rug hooking to me is the ultimate textile art. We have the greatest
variety in choice of color, textures, and materials - and the subjects are endless. Through rug hooking, your work can express
who you are: your views, your likes, dislikes. My goal as a teacher is to bring out those unique expressions in each of you.
This is why I love teaching.
When I started hooking
rugs I had no idea how my textile and design training would lend itself to my art. Now I realize how it all works together:
Color is color whether you are creating a wedding and bridesmaid line or color planning your rug.
Everyone learns differently: Some are hands-on learners, some are visual learners
-but everyone enjoys handouts to refer to after our class is over and appreciates what they learn from the hands-on mini project
in class that reinforces the lessons.
Come join me
and we will learn tricks I have picked up along the way. You will learn to sew your hooked item into purses and figures.
You may pick between my "Spices", "Coffee", "The
Old Home Place", Pumpkin Pie or "dub it to death" patterns on linen, or one of your own patterns. Photos available
on request or on my website: www.onerugtworug.com
the last 17+ years Carrie has been immersed in rug hooking. She has completed countless rugs, attended countless workshops,
has taken leadership roles in the two hooking guilds she belongs to, and has fulfilled the requirements of the McGown teachers
McDermet - Braid-Bowl, Chair Pad, or Table-mat Galore! - FULL
I would like you to bring the following. It is much easier to learn
all the necessary braiding and butting steps if you have small hooked pieces. I can get you started on a bigger piece during
the evenings but it is best during class to learn on the small pieces so that the class can stay together. If you have taken
braiding before you know that there are many steps. With the techniques I teach you, you will be able to add braid to any
round, oval, or square cornered hooked piece and add braid inside of hooking. I have learned a new Butting technique, which
joins the 6 raw ends of the braid together and will teach you-it is quite easy!!
Please bring all wool for braiding so that you can match it to your hooking. **It should be washed
and dried and the thickness at least of Dorr dyed wool that has been washed and dried in the hot dryer. THIN wool does not
braid well. ** If you bring your own wool you will save money rather than buying it from me. Please don't strip your wool
until class. Wool for braiding can match your hooking or be complimentary. There are 3 strips of wool in each braid so that
means 3 different colors. Each round hooked piece will have 3-4 braided rows and the square will have one braided row. It
is better to bring too much wool to braid with! I would suggest ¼ yard of each color for each of the hooked pieces
for each braided row. If you are hooking your shapes on one piece of backing there should be at least 2" of backing
between the two hooked designs.
Please hook the following:
These should be fairly fast to hook.
One 5-6 inch square or rectangle
One 6 inch circle with a 2-1/4 inch blank space/circle in the middle for a small 9 Loop Braided
You can use the circle hooked
piece to make a Braid-Bowl or it can be a Chair Pad, Table-mat or small rug. 3-4 rows of braid are added to make a Braid-Bowl
or Chair pad, or table-mat. The lacing technique makes it into a functional bowl to hold small items for hooking or it can
be left flat to make the chair pad or table-mat.
will show you the following:
If you need extra light you should bring one. If you have any questions
you should call or email me. Home # 802 254-3555 or cell 802 579-9002, if you would like to see more pictures of Combination Rugs, check out www.krismcdermetrugs.com
- Straight braiding around a circle
- Padding and backing your hooked piece
- Sew and lacing on the first row of braiding to a hooked piece
- Lacing on a second, third or more row(s), increasing/skipping
is joining the 6 raw ends of the braid to make a perfect circle or oval
- How to braid square corners around the square piece
- How to braid and lace a decorative PICOT edge.
- How to make a 9 Loop Braided Center.
- Color Planning
- Preparing the wool for braiding.
- How to braid so it looks good on both sides
Julie Marie Smith - Big, Bold and Beautiful -
1 OPENING HAS BECOME
BIG, BOLD AND BEAUTIFUL can be
adapted to just about anyone's style and ideas. The size can be anything from a foot square to a much larger piece. Big
implies larger than life or larger on the canvas or larger than it's surroundings. Bold can be out of the box, outrageous,
bright...something that surprises, something saucy! Even the quietest person can think of something BOLD, for her! Beautiful
is about color... your version of lovely color, be it in brighter Chroma or softer. Anything goes! Your Style! Your cut!
Your ideas! Your size! (Not too large, I hope. Let's stop at 3' by 5'.) What is your idea of Big, Bold, and Beautiful?
Look at art, look at magazines, look and think!
Marie has been hooking for over 30 years and have been teaching for 25, in the US, Canada and England. I have been in Celebrations
and my work has been published in several books. I am primarily a colorist. My own work is original and I love supporting
17 - 19
Diane Burgess - Learning
to Hook Rugs
Learn to hook rugs at the Hooked in the Mountains Rug Show XVII
where you will spend three days surrounded by rugs, rug artists, and wool. Learn all the basics as well as the types of rugs,
hooking techniques, cuts of wool, backings, color planning, finishing options, tools and materials. Visit the vendors and
learn what is available to rug hookers. Become inspired by the beautiful rug show! If you have rug hooking supplies, bring
them. Otherwise, all materials will be available for your practice and purchase. No prior preparation necessary. This workshop
is designed for those with no experience hooking rugs. Upon registration, Diane will send you a letter of what to expect
and what you might bring.
Diane has been a member of
the Green Mountain Rug Hooking Guild for fifteen years. For the past fourteen years she has been teaching traditional beginner
and intermediate rug hooking classes as well as wool dyeing workshops throughout Vermont. She will be returning for her eighth
year in 2014 to the Hooked in the Mountains Rug Show XVII as the "Learning to Hook Rugs" teacher. In November 2013
she completed her certification as an "Oxford Punch Needle Rug Hooking Teacher". She has always been fascinated
with fiber arts and was a quilter for fifteen years before a friend introduced her to rug hooking. She has never looked back.
Diane's passion for rug hooking is contagious in her very well organized, informational, and detailed hands-on classes.
Gail Dufresne - The Sky is the Limit
Gail rarely leaves any of her work "flat" anymore but
prefers three dimensional works, using all sorts of materials and techniques to achieve her desired effect. In this class,
students can explore the use of fabric other than wool such as but not limited to sari silk, yarns, and found objects...the
sky is the limit. Techniques such as quilling, beading, sculpting, trapunto and prodding will be demonstrated. Students will
explore the possibilities of how these materials can be used to create an unusual finished piece. Gail's website: http://www.goathilldesigns.com
Angela Foote - Jumping Off The Color Wheel
Want to learn to make friends with the color wheel? Have fun planning
and choosing colors for your rug. Create dramatic color contrasts in your rugs! Break some color rules! Gain confidence in
your color choices! Then this class is for you.
will be comparing and contrasting dark verses light backgrounds. Learning how to use complementary hues to create that "POP"
of color. Use your favorite hues in new ways. Have fun creating rugs. Try some yarns and sparkles. You can start one of Angela's
patterns, create an original, use a commercial pattern or bring one that you are having problems with.
Students are contacted prior to class to discuss rug patterns, custom
designs, color choices and any other hooking needs. Wools can be custom dyed for your project or as an addition to your wool
stash. Angela travels with a large assortment of beautiful dyed wools.
These technique will work for all rugs (from fine shaded to wide cut), all our welcome!
Angela is a passionate creative rug hooker who loves to work with color.
She is a former educator well known for her beautifully dyed wools. Whether over the dye pot, teaching classes, lecturing
on color, or creating in her studio, Angela's 30 years of experience is evident in her works of art. She is a certified McGown
teacher, member of 3 ATHA guilds, and enjoys hooking in both fine shading and primitive. She has regular classes in her studio,
teaches at guild meetings and workshops. FABRICFOOTE is her hooking and dyeing business. Her tortoise is part the EYE SEE
YOU II project seen in Rug Hooking Magazine. Goggle Riverslea Farm NH Chronicle and see an interview with Angela. Visit Fabricfoote
Rug Studio on Facebook! Hope to see you in a workshop.
Kris Miller - The Grand Finale-Finishing Techniques For Rug Hookers -
How many unbound or unfinished projects do you have stacked up?
Bring them to class and finally get them done! Kris will teach you at least 5 different rug finishes (whipping with yarn,
whipping with yarn and attaching the twill tape simultaneously, wool binding with cording, crochet edge with wool strips,
herringbone stitch). We will also work on how to sew a pillow together, and learn a fun and easy way to put proddy fringe
on a pillow. Bring at least 3 unfinished projects to class. Kris will have binding materials and supplies available for
purchase in class.
Kris specializes in primitive designs
with an emphasis on textured wool and wide cuts (#8 and above). Roving, sheep curls, paisleys, and novelty yarns are also
some of Kris' favorite hooking materials. She is the owner of Spruce Ridge Studios, featuring original rug hooking patterns
and supplies. Kris has won many awards and ribbons for her rugs including her county fair, the Michigan State Fair, Sauder
Village, and three honorable mentions in A Celebration Of Hand-Hooked Rugs XIII, XVI, and XXII. Her original designs have
also been featured as pattern inserts in Rug Hooking Magazine and the books Projects For Primitive Rug Hookers, Pattern Designs
for Rug Hookers, and Finishing Hooked Rugs. She served as a judge for the 2008 edition of A Celebration of Hand-Hooked Rugs
XVIII and was selected in 2012 and 2013 as an artist in Early American Life's Directory of Traditional American Crafts.
She has taught at many rug camps across the United States and in England. Kris lives in Howell, Michigan with her husband
and an assortment of fiber animals. Website: http://www.spruceridgestudios.com
Robin Blakney-Carlson - Felting 101, An Introduction to the Magic
of Felting - CANCELLED
This workshop is a fun introduction to the basics of traditional
wet felting: the foundation technique for felt makers. Working with a beautiful palette of dyed merino wool fiber, we will
cover the fundamentals: fiber layout, wetting down, felting, and fulling, as you create a small flat felt. You might want
to stitch your finished piece to a pillow top, or use it as a table mat.
We will also cover differences in fibers, how to choose the right wool for your project, and what characterizes
the elusive "good felt" (i.e. technically excellent.)
materials fee is $18 which will include a generous amount of assorted wool fibers, fabrics and and exotic fibers (various
forms silk fibers, linen, hemp, angora locks, wool locks, banana fiber, nepps, etc) for each student to use in class and/or
take home unused portions. I also provide beads, palliettes, embroidery threads and needles: all equipment and supplies.
As studios are open late, students have an opportunity to make additional pieces.
There will be additional materials available for purchase- hand dyed wool and fabrics, embellishments.
Experience the magic in transforming fiber to felt!
Students should wear comfortable shoes for standing and sleeves that can
roll up out of the way. A waterproof or heavy cloth bib apron is helpful to keep your clothes dry. Please bring two hand
Visit her website: www.luckystonestudio.com
Rae Harrell - Untangle Zentangle
"Zentangle is an empowering and uplifting experience to learn that
you can relax and intentionally direct your attention while creating beautiful works of art". Using this method has
a way of increasing your ability to connect with your creative genius and expressing yourself effortlessly.
We will have a really fun day of learning how to use the principles of
zentangle to create amazing and never before seen designs to incorporate into your hooking projects. Everyone is a genius
and Rae will unlock how to use that genius with humor and exercises designed to "untangle" the zentangle. By the
end of the day you will have achieved your very own masterpiece.
is a free thinker and knows no boundaries in what can be done in hooking. As a teacher she is available to you on all levels
of the creative process. Laughter and new possibilities are her tools. Visit her website: http://www.raeharrell.com
Nancy Jewett - Dyeing Demo - CANCELLED
be an interactive demonstration of a few dyeing techniques, covering basic abrash, spot dye & a dip dye method. You will
learn how to manipulate fabric &water for different effects & a basic knowledge of how dye colors affect each other.
Nancy is the designer/owner of Fluff & Peachy
Bean Designs in Brandon, VT. She learned to hook in the late 80's from her deceased mother in law, and then began hooking
in earnest in 1999, starting her design business in 2002. Nancy is well known for her beautiful palette of hand dyed wools
encompassing the full spectrum of the color wheel. She teaches dyeing & color planning and is in the process of earning
her McGown Certification. She is a frequent contributor to Rug Hooking Magazine and has been The Region 1 Representative
for ATHA since 2009. She is a juried member of the Brandon Artist Guild. Her website is: www.fluffpeachybeandesigns.com/
Louise Kulp - Beautiful, Bejeweled Hoop Art - Punch
Needle Technique - CANCELLED
Skill level: All levels
The decorative arts of one medium can be a rich design source for the decorative arts of another-rug
hooking, for example! In this one-day workshop we'll create our own small pieces of textile art inspired by the magnificent
eggs that legendary artist-jeweler Fabergé made for the Russian Imperial family. Framed in a painted hoop and tied
with a ribbon hanger, your very own Faberge egg will make a real statement!
We'll use luxurious yarns for the egg and punch directly into a wool fabric background (the perfect
occasion to use that special piece of hand-dyed wool you've been saving, or buy a piece at the show to set your egg off beautifully).
Pearly beads, tiny mirrors, and gold buttons will embellish. Louise will have several egg patterns to choose from, or design
your own using a plain-egg template and lots of pictures for reference. If fancy is not your style, you may opt for a spare,
minimalist design suited to a more modern décor.
previous experience with punch needle rug hooking is necessary, as Louise will thoroughly explain and demonstrate the special
techniques used to punch directly into wool fabric. Complete finishing instructions, including a nice, neat backing for your
hoop, also will be taught, so you can Take Home Art! Website: www.edenvillagerugs.com
Carrie Martin - Pumpkin Pie and Zipper Mouth - CANCELLED
Greetings Everyone. Just to touch base with you before October
to let you know my plans for the class. The patterns will all be drawn on unbleached primitive linen.
In your kit will be: Pattern on linen, a variety of pumpkin colors, zipper (for mouth),
buttons (for eyes and teeth), stem material, thread, needles, and instructions.
The only thing you will need to bring is your hooking supplies, fiber fill, this can be an old pillow,
an old stuffed animal, plastic bags, clean shredded rags. The piece is suitable to be hooked in a #6, 7, and 8 or above cut---
I have put my pumpkin head on a vintage mill spools that I picked up at antique stores or eBay. The cost of the pumpkin kit
What would be ideal is for you to start
the hooking now so it is complete when you arrive in class. I will ship your kits to you. Then in class you can start your
sewing assembling in class, and possibly go home with a finished project.
What I plan to cover is sewing hooked items together, "Tricks from a seamstress" that will make
putting together future bags, dolls easy. I'm glad you have the option to teach you some of my assembling tips, and I look
forward to seeing you at Hooked in the Mountains Workshop 2014.
may contact Carrie at mail-to:email@example.com, 985-893-3285, and website: www.onerugtworug.com
Kris McDermet - 9 Loop Braided Center Pin or Insert Into Hooking
Skill Level: No rug braiding experience necessary
Learn how to quickly braid a fairly simple 9 Loop Braided Center to be
used as a pin, or inserted into hooking as a design element. The Center is 2 ½ inches round. Students will have color
choice in the wool and be able to make 2 centers during the workshop. Instruction in how to insert the 9 Loop Center into
a hooked piece
Kit Fee: $10
Poster board patterns
Wool for Two 9 Loop Braided Centers
Safety Pins and Darning Needle
List of What Students
Need to Bring to the Workshop:
Small sharp scissors
for fabric and scissors for cutting out paper patterns
sewing needles Website: www.krismcdermetrugs.com
Diane Phillips - A Dog Portrait in a Day - FULL
What love and joy we receive from our canine friends! We also love to
hook rugs. What could be better than immortalizing our dogs in a wool portrait? With a manageable 15" x 18" format
and carefully drawn pattern, it is possible to complete all the features and make good progress on the fir in one day. We
will work on expression and glint in the dog's eyes, a glistening nose, a hint of whiskers, and an expressive mouth. We'll
discuss how to hook short and long hair directionally for the best effect. When you leave the classroom, you will have completed
the more challenging components of the portrait and have a good comfort level for completing the rest.
Over the years I have done a number of dog portrait workshops and have
a nice portfolio of realistic but manageable patterns that can be completed with mostly #6 to #8 cut strips. Because we only
have one day, a clear, well-drawn pattern is crucial. Below is a list of the dogs available. If your favorite dog is not
on the list, a simple adaptation can probably be made to an existing pattern. Special requests might be accommodated if you
register early enough.
A price of $75 will include
a pattern drawn on linen and wool to complete your dog that you can choose yourself during the workshop. I have collected
an array of wools that will do any dog proudly. White dogs need at least three different whites, plus a few tiny hints of
other colors such a grey, taupe, gold, or other pastels. Black dogs work wonderfully with several shades of black plus tiny
bits of dark, dark greens, blues, and purples. Oh, what we can do with gold and red dogs or tri- color beasties! There will
be plenty of choices, including some wonderful marbleized wool to further lend interest to your rug. Piles of textures will
be available for your choices as well as specialty wools, such as those, which simulate whiskers.
Your dog's head and partial chest will take up most of the linen, so backgrounds will
be minimal. Because our dogs will be lively, our backgrounds will probably be best done in solid color or gently spot dyes.
Colors such as turquoise, blue, purple, and red work well with dog colors. We will plan your background color in the last
part of the workshop.
Come and hook Woman's Best Friend
in beautiful Vermont with a gorgeous rug show to inspire you. With every dog comes a story, so we will have a warm and interesting
Dog Patterns Available:
Golden Retriever, Bernese Mt. Dog, Springer Spaniel, Chihuahua, West Highland
Terrier, Rat Terrier, Shitzu, Pug, Sheltie, Leonburger, Labrador Retriever, Boston Terrier, King Cavalier Spaniel. Border
For the last 18 years, Diane has been passionate
about creating hand-hooked art. Her favorite motifs are portraits of women and dogs. In recent years I have been playing
with unusual touches of color, slipped in where the logical mind says they shouldn't be. A touch of the surreal in realistic
places keeps us staring at paintings in galleries and art books - the mysterious attraction holds our attention. She believes
rugs deserve this spark of magic also.
has been attracted to unusual groupings of hooked pieces. That includes motifs that would not normally be used together but
surprisingly enhance each other well. She loves to mix motifs of living things with organic shapes and experimental color
palettes. The effect creates unique rugs.
taught in many venues in the US (including Maui), Canada and Great Britain. The Green Mountain Guild and Sauder Village have
both honored her with "Featured Artist" exhibits. She directed the "Hooked in the Mountains" workshops
for the Green Mountain Guild for eight years. She is looking forward to returning to Vermont this year to teach.
Her husband, Bruce Toder, live in Fairport, NY, a suburb of Rochester.
They also have a small cottage in Monkton. VT and love to spend time there in the summer and fall. They share their spaces
with four Chihuahuas who like to sleep on a rug frame as she hooks or curl up in all the wool in the studio!
Cyndy Duade - Hooking Colorful Leaves
Join Cyndy for a class, which focuses on methods for hooking
leaf motifs. The class will explore hooking methods for wide and narrow cuts to create a colorful and dimensional look to
hooked leaves. Discussions will include hooking with casserole dyes, contour shading, using highlights and shadows, and some
more traditional methods. A small kit will include pattern and class materials. Wool purchases are additional. Kit price
is $30.00 for pattern and wool. The leaves may be made into pins.
Cyndy Duade lives and teaches in the New London, NH area. She is a McGown Certified Instructor and happily
embraces all styles and cuts. She has been hooking for 20 years. Cyndy's rugs have appeared in Rug Hooking Magazine's Celebrations
two times, and was one of the artist to hook a piece for the "Eye See You II" project.